Creative Direction & Strategy
01
We design the creative vision from the ground up — defining tone, narrative structure, and visual identity for films, campaigns, and branded content that resonate globally.
Cinematic storytelling
for global brands
and visionary teams -
crafted with 世界 vision.
13+ years™ leading global film & media productions - now expanding through creative AI
Trafficked: Underworlds | National Geographic (Disney+)
Director & Local Producer — for Eye Rise Films
Directed and produced additional footage for the crypto scams episode, and provided local production for the hash trafficking storylines across Spain.
Part of the Emmy-nominated, Grammy-winning docuseries by National Geographic and Disney+.
Category:Director & Producer – Grammy Winner (Spain)
Client:Disney +
Location:Balearic Islands & Andalusia
MINI | Confidential Dealer Launch
Content Creator & On-Site Editor — for The Department
Created and edited on-site launch content for MINI’s confidential dealer event in Munich.
Handled immediate delivery and brand alignment under strict confidentiality requirements.
Category:Content Creator & On-Site Editor (Munich)
Client:Mini - BMW
Location:London, UK. Munich, Germany.
Adidas Brazil | Manchester Production
Head of Production — for Eye Rise Films
Led the Manchester unit for Adidas Brazil’s hero spot and multi-format campaign, managing multi-team international shoots and high-profile talent.
Category:Head of Production (Manchester)
Client:Adidas | New Cycle
Location:Manchester (UK)
Huawei | Mobile World Congress
Director, Shooter & Editor — for Dentsu (China)
Directed, shot, and edited same-day TikTok vertical content for Huawei at MWC 2024.
Completed overnight workflows under tight brand review — with client approval on first submission.
Category:Director, Shooter & Editor (China)
Client:Huawei | Dentsu
Location:Barcelona, Spain. China.
MSC Cruises | Immersive 14K Visuals
Content Editor & Motion Designer — for The Department
Designed and edited 14K immersive visuals for MSC Cruises’ onboard installations.
Delivered complex, multi-layered animations ahead of schedule.
Category:Motion Designer (London)
Client:MSC
Location:London (UK)
Contanimation | Generative Cinematic Reel
Production Strategy & Hybrid Integration
As director and producer at Contanimation, I led production strategy and the design of hybrid workflows for projects developed using artificial intelligence.
The work explores new forms of visual storytelling through generative imagery, integrating emerging tools into a cohesive cinematic language.
It is part of our ongoing research into the intersection of film, animation, and creative technology.
Category:Hybrid Production / AI-Driven Visual Development
Client:Contanimation
Location:Digital
Services
Directing & Cinematic Production
02
From concept to shoot, we lead productions that balance emotion and precision — crafting cinematic experiences for global brands, institutions, and media platforms.
Producing & Project Leadership
03
We assemble and lead international teams, managing creative and production workflows with clarity, structure, and calm — ensuring impact without chaos.
Story & Concept Development
04
We turn ideas into narratives with cultural depth and intent — bridging Europe, Asia, and the U.S. through crafted storytelling that moves people and brands alike.
Editing & Finishing
05
We refine every frame with rhythm, tone, and precision — ensuring the final work feels both elevated and effortless.
AI-Enhanced Production & Post
06
We collaborate with agencies and brands from concept to final delivery — directing, producing, and post-producing full campaigns that merge real footage, generative imagery, and cinematic storytelling.
LET'S WORKTOGETHERWhat's on your mind?
About
I was born in Japan and raised between languages, cultures, and formats.
My path into film didn’t start with tech — it started with stories.
I work as a director, producer, and editor, crafting visual narratives that balance intuition and structure, emotion and clarity.
My background moves between cinema, documentary, animation, and advertising, with one constant: authorship — the human eye behind the image.
I use AI and emerging tools when they serve the story. Not before. Not instead.
I believe in hybrid processes where craft evolves, but intention stays firm.
For me, filmmaking is still about making meaning — not just content.